Design for Democracy - the New Government Quarter

More democracy, more openness, more humanity. But never naivety.

On the site of the 22 July 2011 terrorist attack, which traumatised Norway, the first phase of the New Government Quarter (Regjeringskvartalet) in central Oslo is now complete.

Noble, enduring, beautiful, and welcoming

Nordic Office of Architecture led the architecture team, with Haptic Architects, Scenario, and i-d. Interiørarkitektur & Design, to deliver a ‘design for democracy’ that reopens the heart of Norway’s political centre, creating a new model for bringing government ministries together in an open yet secure civic landscape.

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The A‑block with the Pyramid Hall glow onto Johan Nygaardsvolds plass

The Prime Minister of Norway, government officials and staff will move into the quarters, consolidating almost all Norwegian ministries in a single, flexible campus for approximately 4,100 employees.

Gudmund Stokke, Founding Partner and Head of Design at Nordic Office of Architecture, says:

“From day one, the question was how to create a place that symbolises Norwegian democracy and identity. We were asked to design a secure government district, but also a place where people feel welcome to walk, sit, protest and remember – a government quarter that belongs to the whole of Norway.”

The Pyramid Hall, a 51‑metre‑high atrium in the A‑block, welcomes visitors and foreign delegates with Outi Pieski’s AAhkA (“Mother Earth”) artwork, creating a dramatic timber‑lined lobby at the heart of the New Government Quarter.

A “decision-making machine”

Nordic Office of Architecture’s masterplan arranges five new buildings and two restored buildings as a ring framing a sequence of interconnected public spaces, stitching the New Government Quarter back into Oslo’s historic centre.

Phase 1 comprises three buildings: the restored Høyblokken and the new A‑ and D‑blocks. Høyblokken, the A‑block, with its striking Pyramid Hall, and the retained historic G-block form the public ‘front line’ of the New Government Quarter, directly facing the city and expressing different eras of Norwegian democracy in their architecture, while the D‑block and the future phases create a quieter backdrop that completes a compact, walkable campus. The first phase also includes the 22 July Centre, a public museum and learning space dedicated to the events of 22 July 2011, and new parks and plazas.

The former Y‑block and surrounding roads created a car‑centric government quarter, severing pedestrian routes and limiting public access across the site now occupied by the A‑block. New routes and a future public park, Regjeringsparken, will reconnect the area to the wider city.

Bridges, atria and shared social zones form the Collaboration District, connecting ministries on the first floor and turning the campus into a “decision‑making machine” where people and ideas can move easily between departments.

Two existing plazas – Johan Nygaardsvolds plass and Einar Gerhardsens plass – have been refreshed and now reconnect previously closed streets, re‑establishing pedestrian and cycling routes between Hammersborg, the city centre and the fjord. The new park, Regjeringsparken, designed with landscape architects SLA and Bjørbekk & Lindheim, will form the green heart of the quarter, with open lawns, play areas, native planting and clear sightlines that maintain both security and a welcoming character.

The A‑block and the restored Høyblokken form the public face of the New Government Quarter, linked by glazed bridges. Jumana Manna’s artwork featuring stones from across Norway transforms the public plaza into a patterned “city floor”.

Knut Hovland, Partner and Head of Design at Nordic Office of Architecture, says:

“When designing the New Government Quarter, it was evident to us that restitching the city fabric would be just as important as the individual buildings. By reopening and creating new routes through the area, reducing underground traffic and bringing life back to the ground plane, people can once again use this area as part of their daily lives. The New Government Quarter is now part of Oslo’s everyday life rather than an isolated enclave.”

Design for democracy

The architecture responds directly to questions raised after 22 July 2011: how to balance necessary security with openness and trust in public institutions.

Façades emphasise transparency and daylight, with generous glazing, clear sightlines, and active ground levels that invite visual connection between institution and city. Public-facing cafés, accessible gardens and civic spaces are positioned along main routes to encourage everyday use by Oslo residents and visitors, making the quarter as much a public destination as a place of administration.

The ground‑floor lobby of the A‑block opens directly to Johan Nygaardsvold plass, with extensive glazing, timber surfaces and a feature staircase that leads visitors into the building.
The sensitively restored Høyblokken is linked by bridges to the Collaboration District, where timber‑lined informal meeting spaces preserve the original character of the 1958 building while providing daylight‑filled settings for everyday dialogue and cross‑ministerial collaboration.

Internally, flexible office layouts support evolving work practices, digital infrastructure and cross-ministerial collaboration, ensuring the buildings remain adaptable for decades to come. Modular floorplates, shared meeting zones and the Collaboration District enable ministries to reorganise as political structures, technologies and ways of working evolve.

Rather than monumental walls or visible fortifications, protective measures are woven into the landscape and built form – from integrated barriers to discreet surveillance and controlled vehicle access – allowing pedestrians and cyclists to move freely through the quarter.

Materiality rooted in the Norwegian landscape and craft

Every material choice has been conceived to tie the quarter to Norway’s landscapes, craft traditions and long-term sustainability goals. Larvikite, a silvery-grey Norwegian stone, is widely used on façades and public surfaces, chosen for its durability and patina over time. Internally, locally sourced timber from Nordmarka, a large forest region in northern Oslo, brings warmth and tactility to workspaces and public interiors, reinforcing a visual and cultural connection to the surrounding landscape.

The buildings in the New Government Quarter are furnished entirely with fine pieces by Norwegian designers from different eras. Classic pieces by Torbjørn Afdal, Rastad & Relling, Sverre Fehn and Fredrik A. Kayser are curated together with new contemporary design pieces by Andreas Engesvik, Anderssen & Voll, Jonas Stokke Tron Meyer and Daniel Rybakken.

Several of the furnishings in the Prime Minister’s Office, representative areas and the Collaboration District have been specially designed by the team’s architects and interior designers.

Norwegian craft expertise also informs the detailing, with boatbuilders Risør Båtbyggeri, in collaboration with Biko, helping to shape double‑curved wooden surfaces used across the interior spaces.

Sculpted timber stair and balustrade elements have been crafted with local boatbuilders’ expertise to achieve precise double‑curved forms that celebrate Norwegian design and identity.
The central staircase in the D-block

The buildings are designed to meet BREEAM‑NOR Excellent standards, integrating seawater-based heating and cooling, low‑carbon concrete and carefully detailed envelopes that reduce operational energy demand. Circularity extends to interiors: in Phase 1 alone, around 20 percent of approximately 15,800 furniture items are reused from previous government buildings, combining resource efficiency with Norwegian design quality.

Refined details, craftsmanship and tactility characterise interiors across the New Government Quarter.
The most prestigious meeting room at the top of Høyblokken combines original character with carefully restored finishes, providing a dignified setting for high‑level governmental discussions.

Liv Aimée Halvorsen, Senior Architect at Nordic Office of Architecture, says:

“Nordic has always believed that sustainability is social as well as environmental. Here, long-life materials, local sourcing and low-carbon technologies sit alongside spaces that support wellbeing for staff and visitors, collaboration between ministries and everyday civic life.”

Art, memory and Norway’s largest public art programme

Curated and produced by KORO (Public Art Norway), the New Government Quarter is Norway’s largest public art programme, with approximately 300 new and re-sited works across buildings and open spaces. The collection combines newly commissioned pieces with relocated and restored works from the former government quarter – including artworks bearing visible traces of the 2011 attack – so that art, architecture and landscape together form a living memorial.

Key works include: Pablo Picasso’s sandblasted concrete mural The Fishermen, carefully conserved and relocated from its previous location on the Y‑block and installed on the southwest façade of the A‑block; Do Ho Suh’s Grass Roots Square, relocated to the heart of the Einar Gerhardsens plass as a field of around 50,000 small bronze figures supporting stone slabs; Jumana Manna’s 800‑square‑metre mosaic Sebastia at Johan Nygaardsvolds plass, created from stone offcuts donated by municipalities across Norway that turns the plaza into a literal “city floor”, in line with the ambition to shape a New Government Quarter that belongs to the whole of Norway.

The Collaboration District offers an open work area framed by large windows and artwork by Vanessa Baird, bringing contemporary Norwegian art into everyday government life.
Høyblokken’s interiors have been carefully restored with contemporary details, with a Picasso mural visible beyond the lift lobby.

Inside the A‑block, a series of major works – including Picasso’s The Seagull and Outi Pieski’s 51‑metre‑high birch‑lined piece AAhkA (“Mother Earth”) – animate public interiors and address Sámi history, indigenous futurism and ecological awareness.

Outi Pieski’s 51‑metre‑high AAhkA (“Mother Earth”) artwork rises through the A‑block’s atrium, its intricate timber patterns and monumental scale greeting everyone entering the New Government Quarter.

With his proposal Upholding, Norwegian artist Matias Faldbakken won the international competition to design the new National 22 July Memorial. The sculpture is composed of an industrial construction-scaffolding structure - a replica of the structure that was used to move Picasso's The Fishermen - and a large mosaic image that ties together the two sites of the terror attack: the island Utøya and the Government Quarter. The memorial is planned to be unveiled in summer 2026 to mark 15 years since the attacks.

A collaborative project for a new civic centre

The New Government Quarter is commissioned by the Ministry of Digitalisation and Public Administration (DFD) with Statsbygg as the government developer, following an international competition launched in 2016 and awarded to the Team Urbis consortium in 2017.

Team Urbisis led by Nordic Office of Architecture and includes COWI, Rambøll, Aas‑Jakobsen, Asplan Viak, Bjørbekk & Lindheim and SLA, alongside specialist consultants including NIKU and Per Rasmussen.

Phase 1 was delivered on time and within the parliamentary budget frame of NOK 24.7 billion, and is expected to complete more than NOK 2 billion under this ceiling, demonstrating strict cost control on a highly complex national project.

The Pyramid Hall in the A-block is a luminous beacon for democracy at the civic heart of Oslo and Norway.

Eskild Andersen, CEO and Partner at Nordic Office of Architecture, says:

“The New Government Quarter is a onceinageneration commission that demonstrates how architecture, landscape, engineering and art can come together on one of the most sensitive sites in Norway. It transforms a closed government district into an open civic heart for Oslo and the country, where everyday government and everyday life converge. For Nordic, it is a defining project that brings out the very best of our practice from longterm collaboration with our partners to our commitment to designing environments that strengthen democracy and public trust.”

Media Contacts

For further information and interviews about the New Government Quarter, please contact ING Media:

Haziq Ariffin / haziq.ariffin@ing-media.com / +65 8064 0029

Rose Hussey / rose.hussey@ing-media.com / +44 7860 666 857

Please find the full press pack here: Dropbox

About New Government Quarter

Location:

Akersgata 42, 0180 Oslo, Norway

Completion date:

Multi-phase delivery

Phase 1 (Høyblokka, A-block, D-block and key public spaces) completed February 2026

Phase 2 (C-block, G-block) is set to begin in 2026 and is planned to be completed by 2030

The timing and detailed scope for Phase 3 (B-block, E-block) remain subject to parliamentary decision

Total project cost:

Phase 1 had a parliamentary budget frame of NOK 24.7 billion and is expected to be completed more than NOK 2 billion under this ceiling, delivered on time and within the approved financial framework.

Norway’s percent-for-art programme requires that between 0.5 and 1.5 percent of the budget of every government building project be set aside for art projects

Client:

Statsbygg (the Norwegian government's building commissioner, property manager and developer)

Owner:

Ministry of Digitalisation and Public Administration (DFD), Norway

Architect:

Nordic Office of Architecture (lead architect)

Haptic Architects (architects / sub-contractor to Nordic)

Scenario (interior architects / sub-contractor to Nordic)

I-d. Interiørarkitektur & design(interior architects / sub-contractor to Nordic)

Design Consortium (Team Urbis):

Nordic Office of Architecture (lead architect)

COWI

Rambøll

Aas‑Jakobsen

Asplan Viak

Bjørbekk & Lindheim (landscape)

SLA (landscape)

Planning & Urban Design:

Nordic Office of Architecture

Aas‑Jakobsen (planning, engineering integration)

Asplan Viak (urban and environmental planning)

Engineering (Structure / Services / Security):

COWI

Rambøll

Aas-Jakobsen

Asplan Viak

Heritage & Specialist Design:

NIKU

Scenario

Per Rasmussen

Landscape:

SLA

Bjørbekk & Lindheim

Public Art:

KORO (Public Art Norway) is the commissioning body

Approximately 300 artworks by various artists, including:

Pablo Picasso

Do Ho Suh

Outi Pieski

Jumana Manna

Matias Faldbakken

Damla Kilikckiran

Vanessa Baird

About Nordic Office of Architecture

Nordic Office of Architecture is one of Scandinavia’s leading architectural practices, with studios in Oslo, Copenhagen, Aarhus and Reykjavik. With around 400 staff, Nordic works across scales – from intimate cultural projects to city‑defining civic and infrastructure commissions – united by the ambition to design architecture that shapes thriving societies.

The practice’s portfolio includes the original and expanded terminals and train station at Oslo Airport, the upcoming NRK headquarters in Oslo, Noida International Airport near Delhi, Landsbankinn in Reykjavik, the new arena for Bodø/Glimt football club, and the Tromsø Cultural Quarter in northern Norway. Across these projects, Nordic combines context-driven design, technical robustness and a commitment to social and environmental sustainability.

Website: nordicarch.com
Instagram: @nordicooa
LinkedIn: Nordic Office of Architecture Norway

About KORO

KORO – Public Art Norway is Norway’s national body responsible for curating, producing and mediating art in public spaces across the country and abroad at embassies and consular locations. KORO manages an extensive collection of some 8,500 artworks accessible at around 1,000 sites throughout Norway and abroad. Read more about KORO’s work in the link below.

The art project for the Government Quarter is the largest project in KORO’s nearly 50-year history. Phase 1 of the New Government Quarter will be completed in 2026. Phase 2 has just begun, and KORO is now working on art projects for the upcoming C-block and the new park, Regjeringsparken. Phase 2 will be completed in 2029.